Instead, the Z50 metal frame is a full front, partial sides, full top, partial bottom one.Īll this size constraining results in the basic body area (less EVF) being 1.25” x 2.5”+ x 5”, a very compact box that I suspect we’ll see pop up again in a lower-end camera from Nikon at some point. To save a little more room and drop some weight, Nikon also gave up a full enveloping internal metal frame as well. This meant giving up the sensor-IS mechanism, though, as that function would have pushed the electronics board and LCD backwards as it did on the Z6/Z7, which increased their body depth.īut those two things-mount defining the height of the camera and mount defining the thickness of the camera-produced a Z50 that is indeed smaller and lighter than the already reasonably svelte Z6/Z7. The short flange distance also means that you can make a very thin body, something Nikon has done on the Z50, as well. I realized when the Z6/Z7 were introduced that the Z-mount was basically just about the right height for an APS-C type camera, as long as the mount was allowed to define the bottom and top plate of the camera (which it does on the Z50). A lot of people thought there wouldn’t be an APS-C camera using that mount because of its size, which dwarfs the APS-S sensor, but they were wrong. The Z-mount is big, arguably the widest and shallowest of the mainstream mounts now. So let’s start with the most logical bit: the scaling down of the Z6/Z7. I actually tried to come up with a “part” that the Z50 can truly call its own, and mostly failed. The downward selfie LCD flip we’ve also seen before from Nikon. The internal menus/logic is basically the D5/Z6 generation goodies in simplified form. The body is, for the most part, a scaling down of the Z6/Z7 cameras. The 20mp APS-C (DX) sensor comes from the D500/D7500 with the tweaks necessary for mirrorless (plus a positive change to the video specs).
To a large degree, the Z50 is a “parts bin” camera.
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